I saw this on the wire a couple of days ago, and didn't get a chance to post it at the time. Here's a nice illustration of the
isolated world in which journalists reside: a photograph provided by Claudia Daut of REUTERS.
Ok, some things that I'd like to point out about this photograph, which is similar to
other works by Claudia Daut:
1) First and foremost, notice that this is a photograph of Havana, which as I've noted was at one point in time
the most prosperous city in South and Central America. Of course, in Fidel Castro's Cuba, Havana serves as some sort of restricted zone, outside of which foreign photographers generally don't
dare to go--but I digress.
2) Secondly, notice the euphemistic term
vintage car. Some suggest that Cuba's reliance on old cars is due to
the American blockade, but I would counter that the
reality of the situation is that Cuba's communist government is
wholly incapable of either
producing a native Cuban automobile, or affording to
import them from foreign car manufacturers, at least for the proletariat that Castro claims to serve. There being no European embargo of Cuba, one would assume that the Cuban economy would have no problems finding good proletarian cars from European or South American automakers, but when the Cuban government's policy is to
essentially disregard its debts, it's no wonder there are very few companies that want to
risk trading with the tropical island.
(That pesky "capitalism" thing again.)
3) Finally, notice the condition of the building in the background. Again, considering that Havana was once the jewel of South and Central America, I would gladly say that this type of scene isn't unusual...
in 1945! But here we have Fidel Castro's
supposedly modern city, in which one must
hand-wash and hang their laundry out to dry.
As a play on what they used to say in Russia,
"There is no Truth in Reuters,
there is no Reuters in Truth."
